![]() In my discussion here, I’m going to leave out cases like Lucas DeGroot’s The Sans and The Serif, which where conceived together as a superfamily. I would work on it off an on, but wasn’t able to come up with a satisfying solution until fairly recently. This idea has been on my drawing board for a long time. A serif typeface meant to be paired with it. One way around this dilemma would be to create a serif version of Proxima Nova or some sort of serif companion face. They’re thinking of a normal serif typeface. ![]() Rockwell is a slab serif, which is great if you want a slab serif, but maybe not the best choice for text, and a slab serif is probably not what most people are thinking when they ask. However, Candida is pretty obscure and funky, and only has few styles. They actually share some structural similarities with Proxima Nova, so there is a certain logic to it. Two others I sometimes suggested were Candida and Rockwell. Or maybe Georgia or Utopia, or really, any of the many modern moderns. I’ve used Century Schoolbook with it a few times. Probably something rather plain and straightforward. Something modern (as opposed to old style) with a fairly large x-height. I like to be surprised.īut, that didn’t seem to be the answer they wanted to hear, so I tried to think what I might use myself. Maybe it’s just me, but I don’t like to tell people how a typeface I designed should be used. And as a type designer, I didn’t really think it was my problem. You might come up with something completely different than I would. That’s one of the skills you learn when working with type. It was more like, figure it out yourself. It’s not that I never combined serif and sans serif faces in my work as a graphic designer. In all the time I’d spent working on Proxima Nova (and its earlier incarnation, Proxima Sans), I had never really thought much about this. ![]() Here you can watch the video or read the illustrated transcription below. Proxima Nova is also available separately as a variable font called Proxima Vara.For our first Font Fashion Week, type designer extraordinaire, Mark Simonson, spoke about his new typeface Proxima Sera, the long-awaited companion to the world-famous Proxima Nova. Since the mid-2010s, Proxima Nova has become the most popular commercial (paid) font on the web, used on hundreds of thousands of websites around the world. Additions have included support for Greek, Cyrillic, and Vietnamese, numerous currency symbols, wide and extra wide widths, as well as a Medium weight for all five widths and italics, bringing the total number of fonts in the family to 80. I’ve continually updated and expanded Proxima Nova since 2005, more than doubling the character set from 700 in its initial release to 1453 characters in the latest version. I expanded the original six fonts into a full-featured and versatile family of 42 fonts (seven weights in three widths with italics). I originally released it in 1994 as Proxima Sans (now discontinued) with a basic character set in three weights (Regular, Medium, and Black) with italics. The result is a hybrid that combines modern proportions with a geometric appearance. Proxima Nova (2005) bridges the gap between typefaces like Futura and Akzidenz Grotesk.
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